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Mar 1999
ISBN 0262032562
392 pp.
174 illus.
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Music, Cognition, and Computerized Sound
Perry R. Cook

How hearing works and how the brain processes sounds entering the ear to provide the listener with useful information are of great interest to psychologists, cognitive scientists, and musicians. However, while a number of books have concentrated on individual aspects of this field, known as psychoacoustics, there has been no comprehensive introductory coverage of the multiple topics encompassed under the term. Music, Cognition, and Computerized Sound is the first book to provide that coverage, and it does so via a unique and useful approach.

The book begins with introductory chapters on the basic physiology and functions of the ear and auditory sections of the brain, then proceeds to discuss numerous topics associated with the study of psychoacoustics, including cognitive psychology and the physics of sound. The book has a particular emphasis on music and computerized sound. An accompanying audio CD includes many sound examples to help explicate the text.

The contributing authors include John Chowning, Perry R. Cook, Brent Gillespie, Daniel J. Levitin, Max Mathews, John Pierce, and Roger Shepard.

Table of Contents
 Introduction
 About the Authors
1 The Ear and How It Works
by Max Mathews
2 The Auditory Brain
by Max Mathews
3 Cognitive Psychology and Music
by Roger Shepard
4 Sound Waves and Sine Waves
by John Pierce
5 Introduction to Pitch Perception
by John Pierce
6 What Is Loudness?
by Max Mathews
7 Introduction to Timbre
by Max Mathews
8 Hearing in Time and Space
by John Pierce
9 Voice Physics and Neurology
by Perry R. Cook
10 Stream Segregation and Ambiguity in Audition
by Roger Shepard
11 Formant Peaks and Spectral Valleys
by Perry R. Cook
12 Articulation in Speech and Sound
by Perry R. Cook
13 Pitch Perception and Measurement
by Roger Shepard
14 Consonance and Scales
by John Pierce
15 Tonal Structure and Scales
by Roger Shepard
16 Pitch, Periodicity, and Noise in the Voice
by Perry R. Cook
17 Memory for Musical Attributes
by Daniel J. Levitin
18 Haptics
by Brent Gillespie
19 Haptics in Manipulation
by Brent Gillespie
20 Perceptual Fusion and Auditory Perspective
by John Chowning
21 Passive Nonlinearities in Acoustics
by John Pierce
22 Storage and Reproduction of Music
by John Pierce
23 Experimental Design in Psychoacoustic Research
by Daniel J. Levitin
 Appendix A: Suggested Lab Exercises
 Appendix B: Questions and Thought Problems
 Appendix C: Sound Examples on CD
 Index
 
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