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The Functional Neuroanatomy of Musical Rhythm Perception

 Lawrence M. Parsons and Michael H. Thaut
  
 

Abstract:
Recent neurological and neuroimaging data suggest that distinct neural systems subserve musical melody, harmony, and rhythm. To elucidate the neural basis of the perception of rhythm, we selectively mapped its principal components with PET. Five non-musicians discriminated pairs of monotonic rhythms with respect to pattern (phrasing), tempo (increasing or decreasing rate), meter (3/4, 5/8, etc.), or duration (total time per sequence). Subjects performed rest and a pitch discrimination control in which a single note in one of two metronomic melodies could vary in pitch. Stimuli were adjusted to be highly similar across conditions. Distinct patterns of activity were detected for each rhythm discrimination, relative to pitch control (P<.001). Discrimination of meter, tempo, and pattern, but not duration, strongly activated cerebellum, as well as inferior colliculus. Strong condition-specific activations were observed in left medial superior frontal and anterior cingulate cortex for pattern; in right frontal cortex (BA 44) for meter; in basal ganglia for tempo; and in right frontal (BA 10, 47, 6) and posterior cingulate cortex for duration. Some areas in the observed subsystems likely support auditory attention and working memory, others are probably involved in temporal grouping. The strong cerebellar activations, also detected for pitch discriminations (vs. rest), likely subserve perceptual/cognitive processing rather than motor activity (which was absent).

 
 


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